Tag Archives: love

The Dangers of Culture

by Franz Hartmann

“There are thousands of people who work hard all their lives, without accomplishing anything which is really useful or enduring. There are thousands who labour intellectually or mechanically to perform work which had better be left undone. There are vastly more people engaged in undermining and destroying the health of man than in curing his ills, more engaged in teaching error than in teaching the truth, more trying to find that which is worthless than that which is of value; they live in dreams and their dreams will vanish; they run after money, and the money will remain while they themselves perish and die.
The obstacles which arise from the external world are intimately Franz Hartmannconnected with those from the inner world, and cannot be separated; because external temptations create inward desires, and inward desires call for external means for gratification. There are many people who do not crave for the illusions of life, but who have not the strength to resist them; they have a desire to develop spiritually and to gain immortality, but employ all of their time and energy for the attainment of worthless things, instead of using it to dive down into the depths of the soul to search for the priceless pearl of wisdom. Thousands of people have not the moral courage to break loose from social customs, ridiculous habits, and foolish usages, which they inwardly abhor, but to which they nevertheless submit because they are customs and habits to act against which is considered to be a social crime.”

— With the Adepts, An Adventure Among the Rosicrucian, by Franz Hartmann (1910)

Pain as an Anchor

Anything is better than facing ourselves as we really are. Take pain. Why do we deliberately hurt ourselves and others by our actions, such as obsessions, addictions, self-centered behavior, if we didn’t need the distraction and identity that pain gives us?

I remember vividly the thought that would run through my head in the depths of alcoholism: that even if nothing was meaningful or important, that if no one cared or noticed, there was always pain.

This piece from R. M. Drake further illustrates this:

pain
pain

And the poem of Oscar Wilde, written while in prison, telling how we would rather kill that which we love , than turn and face the inner life within:

“Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!
Some kill their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.
Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.”

Why are we so afraid of facing ourselves, as we really are? Is it a feeling of fear? Are we that afraid of the unknown, that we would trade the discovery of ourselves, for familiarity in the form of pain?

The fear of  facing the unknown was described by a friend as the fear of falling into the black hole, and willing to do anything to stay orbiting on the event horizon, even if it means being anchored to a life of pain or distraction. This anchor holds us from the release of finding our True Self, which lies beyond the fear, beyond the opposites of pain and  pleasure.

Richard Rose wrote this wonderful poem to help us release the anchors, to give us a bit of hope in the face of our clinging. That beneath the event horizon, in the seeming nothingness, there is something: the home of the soul.

I come to you as a man selling air,
And you will think twice at the offer and price,
And you will argue that nothing is there,
Although we know that it is – everywhere.

I bring a formula largely untold, –
Of forces mixed with between and betwixt.
And only seen when allowed to unfold.
And better felt when the body is cold.

I have a map to the home of the soul,
Beyond the mind is a golden find, –The Golden Find
The paradox is a guide to the goal, –
Though doubt is sacred, each man is the Whole.

(from Profound Writings, East & West)

 

–  Bob Fergeson

Mountain High – Touching the Void with Bob Fergeson

“When the thought and the mind goes away, all you are left with is the real part of yourself…. In the quiet, there is a sense of eternality and unconditional love.”
~ Bob Fergeson

The sense of eternality marks the work of photographer, mountaineer, and spiritual teacher Bob Fergeson. Set among the Rocky Mountains, Bob’s story weaves the passions of the creative life and a love for the outdoors into a compelling narrative of a spiritual search. From his childhood attempts to capture moments of ethereal, quiet beauty with a Brownie box camera, Bob’s life careened towards a crushing encounter with alcoholism, then flowered in a time of self exploration through painting, drawing, and dreamwork, led to years of spiritual disciplines, and culminated in a final encounter with Truth that left him weeping on a Colorado mountainside.

Whether you frame your quest as a search for God, truth, enlightenment, awakening, certainty, or an aching longing to fill a void inside, you will find this feature-length documentary is more than just a film, it is a resource that you will mine for inspiration and advice again and again.

Stream Or Download The Movie:

If you want High Definition, the digital version is for you. It’s also great for avoiding postage costs.

For the $9.95 budget version: mountainhigh.vhx.tv/buy/mountain-high-budget-edition
For the $19.95 supporting version (includes bonus footage): mountainhigh.vhx.tv/buy/mountain-high-supporting-price

Questions about streaming and downloading? See this FAQ.

for more info: http://www.poetryinmotionfilms.com/mountain-high.htm

 

Ennui

Ennui  by  Ike Harijanto

 

It is not blind

for it has no eyes.

A glob blubbery blob, marshmallowy,

yellow, bloated Ennui

blows thick smoke from a hookah drooping

off its thick puckering lips.

 

For Life and Love it’s an ogre so hungry.

Beware of its smoke for it can swallow

whole and drag low,

then all motions drags a clunky

laborious chain of “Why?”

 

Marshmallow Ennui imperceptibly

turns into sticky molasses Depression quickly.

It’s not a morphing; it’s a giving of way,

for Depression is a desperate try

against falling so deeply asleep that is Ennui.

 

It drags you into a gray-brown bog,

Blowing its drowsy fog.

I fall asleep without knowing it,

thinking I’m awake, thinking I’m aware.

 

553830_439267869427405_548650054_n

Ennui is a know-it-all thinking, “I know too much.”

Ennui is an armchair traveller claiming, “Been there, done that.”

Ennui is jadedness yawning, “Meh,

seen everything already.”

Familiarity turns into a malady.

But don’t waste your life feeling guilty,

For it’s not you

who says, “All is done; nothing to do.”

It’s Ennui!

 

How did I fall asleep? I don’t know;

Didn’t catch myself nodding.

In this thick heavy fog, God of Light, please show

Just a needle of Your Light piercing.

From this aggressive vortex pull of Sleep,

that seducer,

I want out, I want to wake!

 

Henri in ennui, again

What are you, Ennui?

A resistance born of negativity,

a lack of meaning of life, or merely,

a superfluous entity?

What an irritating allergy

sapping energy,

this chronic, addictive serving of me.

Why are you here? What are you trying to tell me?

More importantly, how do I

widely open my eye?

 

Ennui

Thrill is not its remedy,

for Ennui’s not a hole

for the Muse to fill with lively creativity.

Maybe it’s a bothersome additional

to simply shoo, shoo.

 

Can’t reason with that entity.

Need I take it so seriously?

Ennui, ennui, go away

Come back another…

Well actually, don’t bother!

 

– Ike Harijanto

 

* The hookah is a reference to a poem by Charles Baudelaire entitled “To the Reader” in his Flowers of Evil

Henri in ennui
Henri in ennui

The cat is Henri, guru of ennui, found on youtube : http://youtu.be/Q34z5dCmC4M and FaceBook: https://www.facebook.com/henrilechatnoir

A Seeker’s Story by Ike Harijanto

At some point early in life a feeling came that I was eccentric. I thought I wanted something no one around me seemed to want, and that was sincere, dependable love. All I found from people, young and old alike, was instead indifference, rejection, untrustworthiness, unpredictability. So I thought, if I was able to so intensely want something that seemed unimportant to others, that must have meant I was insane. Only in God could I put my trust, because a God unknown, unseen, nebulous certainly would not, could not betray me. God was the center of my devotion, my life. Slowly, though, the considerable commotion in my head I called intellect and reason made me abandon it.

Several more rejections and betrayals of trust from those around me, and I declared, “Love is a myth.” I was furiously baffled at the way I was created, feeling such a strong desire for something that could never be true. By declaring–––pretending, really–––I knew the truth about love, I unwittingly saved myself from feeling utterly devastated by the conviction that it closed its door on me. I began keeping a journal. Only in the blank pages of my journal could I confide safely. Something that doesn’t have any capacity of returning my love would not, could not reject me.

Young adulthood was a period of restlessness and confusion from not knowing what I sought in life. I thought I was unrealistic, “too philosophical,” wanting and doubting too much. Moreover, I saw that I was a different person from one day to the next, unable to keep a promise I made to myself. I became unpredictable and untrustworthy, exactly like those I had condemned. I looked around at my peers and saw them sail away, seeming to know where they were going. There I was, an enigma to myself, feeling I was left behind. “Did I miss a class everybody took?”

As loneliness pervaded uncontrollably, I isolated myself more by turning toward texts and dead scholars, looking for hard, solid, steely wisdom. I had a notion that it would take me superiorly beyond any dependence on others, and I would then be impervious to the pain of rejection. And dead people, they surely would not, could not reject me. The search for wisdom gave a purpose, a grand one, in fact, and a direction to my life.

My notion of wisdom at the time was a kind of knowledge I would swallow or possess, and the best chance of finding it was in the academic humanities. So I made a plan to lock myself in the university ivory tower and shut the door on any personal relationships. I was convinced that anything to do with my heart was a major distraction, complication, obstruction. I was on a lone secret mission, believing no one would understand it, or worse, they would ridicule me if they found out. I was not going to let myself be rejected ever again.

Shortly after the plan was made but not yet realized, my father died. The incident gave me an intimate preview that we all die, and we die alone, without exception. But my newly found purpose protected me, for better or worse, from being in touch with the situation of my heart. My rocket was on and nothing was to stop me.

Before the first semester even began, I met Art Ticknor at a meeting of the Philosophical Self Inquiry in Pittsburgh. During that first meeting he engaged me one-on-one, and I was surprised to find myself saying things I would never have said to others. Shortly after came another surprise in the form of trust. Brief though it may be, it was impressive because my life hitherto has shown it to be impossible. There was also an element of judging Art by his cover, as well, I suppose. He dressed typically, and I tend to peer with suspicion at people in robes living in the 21st century Western world. A massive gong fell and hit my head when I received my first major confrontation: “The direction is within,” he said. With all my might I tried to yell “No!”––but to my dismay, I was convinced he spoke the truth. I had just moved across the world on a search that had barely begun, when I realized I was to turn around. A giant monkey wrench thrown into my plan. Nonetheless I was compelled to turn around and look at the only “within” I knew. What I saw then, what was brought to light, was how separated I had been, alone and thoroughly lost in the wilderness. It reminded me of the preview I’d seen, that we all die, and we die alone. I was a lost sheep feeling certain that if ever there was God, It was not looking for me. The feeling of utter aloneness combined with an immediate conviction that the project I had taken on was too big for this little me led to the onset of a depressive period like I had never thought possible.

Art showed me a direction I thought I already had. First and foremost, he showed me trust and friendship I had stopped looking for. Deep down, though, I couldn’t help but still wanting them. To a sick, sick person, however, sweet water tasted bitter. The confrontations hit so many sensitive spots that I recoiled from pain and fright, and contracted inside. I was unable to see friendship, I saw only threats. Fortunately (I can say this now), I kept on coming to the meetings, albeit all closed up like a porcupine ball, compelled by a force I could neither understand nor ignored. Left to reason alone, it would not have made sense to keep on touching a hot stove when I already knew it was hot. But something other than reason told me I needed to take the bitter medicine to get cure.

I received my diagnosis early and am grateful for that. The sickness turns out to be ec-centricity, that is, being off-center–––that childhood feeling confirmed. The rejections I perceived in my childhood may not be the cause but actually the result of this feeling. I had lost my center long before I abandoned my childhood God. I don’t even remember how and when this happened. But once upon a time….

My life so far seems less about finding cure, than it is about realizing the pervasiveness of the sickness. Being out of center seems to also mean out of touch with reality. The idea of becoming schizophrenic, out of touch with reality, used to spiral me into panic. But reviewing over a decade of journals shows me undeniably, time and again: I live in the mind, not in the world; I interact with perceptions and stories, not reality. After years of psychological work and spiritual education, I am no more ethereal, no more sober, no more liberated. I wonder if I myself may be the cave of Plato, and not simply in it.

Coming in contact with Art and TAT rocked my boat till it almost flipped over. My life-cruising and life-building slowed down considerably. A good thing, I think, for I was only building a house of cards, and cruising through life as a sleepwalker, shutting my eyes to where my life will inevitably conclude, as I saw with my father’s. Adding spirituality to my life doesn’t seem to redirect its course either. My life is still going nowhere but toward the cemetery. For a while I used depression to deny it, but now it feels like a returning to reality. (Every impressive, sometimes seemingly out of the world, insights I ever had feel now like a simple return to reality, not an addition of knowledge like I had expected in my grand search for wisdom.) I can no longer pretend that death belongs to some distant, nebulous future and won’t really happen to me. I can no longer believe that aging is going to magically prepare me for it. My father did not have time to prepare for his death and spent his last moments in panic. If truly we all die, and we die alone, I don’t want to die in panic. Even then I still forget all too often.

That said, if self-inquiry has resulted in anything so far, it is only that I became less and less sure I know the self whose life and death I’ve been so concerned about, the one in this story, telling it, reading it. Honestly, I only claim to be a self-inquirer without having actually done much of it, because I was so confident I knew the “I” I was referring to. But everything I can refer to, perceive, sense, conceive of seems to be the mind through and through; an experience all the way down, including myself, my existence. What then? Do I just wait till this experience is over, since experience comes and goes? Is there something, anything, beyond experience? I’ve heard there’s a place: within. The work now is figuring out where within really is. I thought I knew, and that resulted in a deeper depression because I unquestioningly accepted what I saw there as “that’s it. Nothing more. Nothing else to be done. Might as well be dead now.” Pretending to know is a heavy burden, indeed!–––one I’m so prone to fall into. Truly, one must doubt everything especially one’s claim to knowledge.

Here’s another way to say it all over again. A principal intuition is confirmed, one that has been driving my life but I tried to deny. Behind the devastation of rejection and the desire for friendship and trust is a feeling for, pull toward, Utter Love. Because It was inconceivable to my mind, in my bewildered anger I called It a myth, a mere idea that could never, ever be real. Along the way, though, I learned that inconceivability does not equal impossibility. Love is possible. My contact with Art, to name only one person, has made me doubt my claim that It is impossible. Moreover, the search for Love turns out to not be a lone endeavor. It is acknowledged, praise the Lord, through my contact with fellow eccentric, off-center seekers. And this is another confrontation to one of my beloved beliefs: a challenge to the belief of being an individual doesn’t have to always be painful, after all. Now I finally hear what a French philosopher, Henri the black cat, said a while ago: “The life of a philosopher cat is nothing without friends. Perhaps I should share my treats with others.”

I still don’t know what Love is. So yes, you can say this “business of seeking” has not turned its full “profit” (though thinking of anything in terms of a business upsets the bohemian in me). But acknowledging the possibility of Love, isn’t this itself already a miracle? This acknowledgment is really the restoring of my faith in Love, because faith is always in relation to something one can’t conceive of but sense possible. This alone is already worth more than whatever it has cost, if it did cost anything of value!

I’ve been living my life for a distant goal. Be serious and work hard now, and reap the reward later. If ever. But it was probably no seriousness, no real work, but a playing around in a make-belief of what life was about and the proper way to live it.   But I did not know life, and do not still. Now that depression and panic have slackened their claim to knowledge about life and death, I want to play. Not to play around, for, God help me, I no longer want to live a make-believe life toward an imaginary, distant dream. But to play to get in touch with I-know-not-what, call it my heart, that is most authentic, most alive, most actual. Then to express it, or to get out of the way so thoroughly that that Genuine What may come forth unobstructedly. To live a life of devotion again. To live in love and wonder every instant. It’s a feeling that every day I’ve been striving to contact and approach. Still much frustration, that at the end of the day I somehow miss, and I go to bed with an unfinished business. Strangely, writing this wish feels already like a prayer come true.

 

Coda: In telling this story I sounded like I knew what was happening at the time it was happening, and where everything was leading to. Actually, though, the directing and the shaping only happen here in telling the story, in selecting certain things and leaving out many others. In telling it, the story loses solidity. It’s all so neat and tidy. It may well be a creation, for my whole life is a memory.

– Ike Harijanto

Sacred Leaves, A Seekers Story by Rupert Crisswell

Being asked to write a Seeker’s Story by Tess, poses an interesting challenge for me. Although, for a long time, people have told me that I should write, for as long, I have found this peculiarly difficult. Even determined attempts to do so would wilt under an enervating sense that it just didn’t feel right to do so. This would grow into a kind of revulsion if I tried to write about myself, particularly if the slant was in some way spiritual.

Recently I read Black Elk Speaks, the dictated autobiography of the Ogala Sioux medicine man.

I found myself nodding in agreement whilst reading his opening words: ‘For what is one man that he should make much of his winters even though they bend him like a heavy snow? So many other men have lived and shall live that story, to be grass upon the hills.’

Despite fighting against the army and cavalry to save his people and homeland, he witnessed their massacre and loss. He travelled abroad with a wild west show and lived on to old age to finally share his story with the poet Reinhardt, but he would still claim that ‘this is not the story of a great hunter, or of a great warrior, or of a great traveller.’

Autumn Leaves
Autumn Leaves

 

He explained that although the incredible adventures of his life, ‘may come to seem to be the very tale itself,’ in truth, ‘it was the story of a mighty vision given to a man too weak to use it; of a holy tree that should have flourished in a people’s heart with flowers and singing birds, and now is withered, and of a people’s dream that died in bloody snow.’

In his final words, Black Elk called out to the Great Spirit, in the frail voice of his age and dereliction, ‘ With tears running, O Great Spirit, Great Spirit, my Grandfather- with running tears now, I must say the tree has never bloomed. A pitiful man you see me here and I have fallen away and done nothing. Here, at the centre of the world where you took me when I was young and taught me. Here, old I stand and the tree is withered, Grandfather, my Grandfather.’ When I read these words, I want to stop writing my own because what offerings are they in comparison? And who am I to do so?

But it is the words that follow that give me pause for thought, ‘ It may be that some little root of the sacred tree still lives. Nourish it then.’ Aye, Black Elk, my silence is not worthy of you, and if you can raise your frail voice to the Great Spirit, I’ll raise mine for you and for the nourishment you so desired.

And so it comes to be, that after all this time, I am asked to write three times in one day and it seems to me that the universe is telling me to do so as if shouting in my ear to be heard through the cankered wax and deafness of my disbelief. And though I am not on a mountain, nor a medicine man, but sitting in a chair in my living room, still full of misgiving, I ask you Great Spirit to help me.

As I was walking home this evening from work, through the cold and dark of an early winter’s evening, a man crossed the road in front of me and with swift, aggressive purpose smashed the ground floor windows of a house with a hammer. The violence was stunning in the sleepy fishing village where I live and I was the only person on the road. After phoning the police, the man disappeared as quickly as he had come, I wondered that if the hexagram patterns of life are an I Ching of meaning, what would this mean for me? I wondered too about the dream I had last night in which I ran desperately through the streets and markets of an Asian city knowing that I was going to miss my flight. I wondered too about my father dying hopelessly and slowly from cancer bereft, it seems, of even the smallest root of the sacred tree in the wasteland of his despair.

Is it presumptuous of me to conclude that this is the tableau of a warning that I would be foolish to ignore, as I have ignored gentle advice and encouragement for many years, and that the truth will out, if not with shouts, then with the swift aggressive purpose of Job’s devastation?

The night before Halloween, I lay awake, death-suited, thinking of my father, worried that the physical pain that had begun to afflict me was, in some way, my body’s reaction to the contamination of his fear in a sympathy of cancer. Eventually I slept, to be woken at 6.00am by my two young sons of six and three dressed in their halloween costumes, standing by my bed. Torin, the eldest, was dressed as a skeleton, and Lachlan as a wizard with a pointy hat and long white beard.

‘Daddy,’ said Torin, ‘ I have to tell you my dream.’

‘What was that?’ I replied, bemused by their costumes and seriousness.

‘ I dreamt I was walking through a graveyard, Daddy, and I was scattering seeds amongst the gravestones. As I looked down, I could see that trees were growing up beneath the gravestones and pushing them aside, and as I looked around, I could see huge trees growing everywhere where there were gravestones, and I danced for joy, Daddy, because I had done such a good job.’

Aye, Black Elk, a small root flourished in my boy that night, and through him, it nourished me. And I heed your warning Dad, Great Spirit, Grandfather to my boys – the Buddhists always say that the blessing of angels can come in terrible forms – and I honour your devastation, your dark night as holy ground, and it is for you that I offer these pages, these sacred leaves from our branch, so that your pain may prove fertile ground for the nourishment of the tree where birds are singing and flowers grow.

Friendship by Richard Rose

 

I passed through a deep crevice at twilight,
And I saw a narrow vista of trees,

Crevice in the Rocks
Crevice in the Rocks

Magical in the mists-
Vocal to the hush of meaning,
Whispering to the wisdom of shades,–
Of degrees,–
Before the backdrop of eternity. . . .
And I had a friend. . .
Whose dust with mine was not the bond,
Whose love with mine was not the bond,
Whose teaching with me was not the bond,
Both of us had been to this same place,
To the twilight in the narrow crevice,
And because of this place, we are eternal.

– Richard Rose

 

 

The Eternal Child Within – The Puer

” The Child and the Presence are the same one Presence and It is right here where we are, transcending this world’s time and space.” – Willam Samuel

Samuel was a man who learned his lessons through fire and suffering, and later put them to the test in everyday life, and found them true. He speaks directly to the Heart of the listener in a forceful and simple manner, leading them to recognize that their own intuition is the surest path to the Inner Child.

Holocene by Bon Iver from Secretly Jag on Vimeo.

“The Child of Light and Love is the pathfinder, the guide, the wayshower up the mighty mountain in Kwangse Province. Science, religion and philosophy can take us a great distance, but the Child takes us to Dominion. It is absolutely essential that we actually get in touch with the eternal Child.” – William Samuel


For more on Samuel’s work, visit http://www.mysticmissal.org/william_samuel.htm

For ordering his books and tapes, visit http://www.williamsamuel.com/